It is a difficult thing for man to admit to himself that the insect or the bird perceives an entirely different world from the one that he does, and that the question of which of these perceptions of the world is the more correct one is quite meaningless.

Friedrich Nietzsche, On Truth and Lie in an Extra-Moral Sense (via whyallcaps)

asylum-art:

Emir Šehanović
Emir Šehanović is an artist hailing from Bosnia-Herzegovina who uses digitally manipulated images and vintage photos in a collage-like format to create these very unique figurative pieces. For his work, Šehanović will use both traditional collage mediums as well as combining digital techniques to achieve the particular look and emotion in his pieces.
Zoom Info
asylum-art:

Emir Šehanović
Emir Šehanović is an artist hailing from Bosnia-Herzegovina who uses digitally manipulated images and vintage photos in a collage-like format to create these very unique figurative pieces. For his work, Šehanović will use both traditional collage mediums as well as combining digital techniques to achieve the particular look and emotion in his pieces.
Zoom Info
asylum-art:

Emir Šehanović
Emir Šehanović is an artist hailing from Bosnia-Herzegovina who uses digitally manipulated images and vintage photos in a collage-like format to create these very unique figurative pieces. For his work, Šehanović will use both traditional collage mediums as well as combining digital techniques to achieve the particular look and emotion in his pieces.
Zoom Info
asylum-art:

Emir Šehanović
Emir Šehanović is an artist hailing from Bosnia-Herzegovina who uses digitally manipulated images and vintage photos in a collage-like format to create these very unique figurative pieces. For his work, Šehanović will use both traditional collage mediums as well as combining digital techniques to achieve the particular look and emotion in his pieces.
Zoom Info
asylum-art:

Emir Šehanović
Emir Šehanović is an artist hailing from Bosnia-Herzegovina who uses digitally manipulated images and vintage photos in a collage-like format to create these very unique figurative pieces. For his work, Šehanović will use both traditional collage mediums as well as combining digital techniques to achieve the particular look and emotion in his pieces.
Zoom Info
asylum-art:

Emir Šehanović
Emir Šehanović is an artist hailing from Bosnia-Herzegovina who uses digitally manipulated images and vintage photos in a collage-like format to create these very unique figurative pieces. For his work, Šehanović will use both traditional collage mediums as well as combining digital techniques to achieve the particular look and emotion in his pieces.
Zoom Info
asylum-art:

Emir Šehanović
Emir Šehanović is an artist hailing from Bosnia-Herzegovina who uses digitally manipulated images and vintage photos in a collage-like format to create these very unique figurative pieces. For his work, Šehanović will use both traditional collage mediums as well as combining digital techniques to achieve the particular look and emotion in his pieces.
Zoom Info
asylum-art:

Emir Šehanović
Emir Šehanović is an artist hailing from Bosnia-Herzegovina who uses digitally manipulated images and vintage photos in a collage-like format to create these very unique figurative pieces. For his work, Šehanović will use both traditional collage mediums as well as combining digital techniques to achieve the particular look and emotion in his pieces.
Zoom Info
asylum-art:

Emir Šehanović
Emir Šehanović is an artist hailing from Bosnia-Herzegovina who uses digitally manipulated images and vintage photos in a collage-like format to create these very unique figurative pieces. For his work, Šehanović will use both traditional collage mediums as well as combining digital techniques to achieve the particular look and emotion in his pieces.
Zoom Info
asylum-art:

Emir Šehanović
Emir Šehanović is an artist hailing from Bosnia-Herzegovina who uses digitally manipulated images and vintage photos in a collage-like format to create these very unique figurative pieces. For his work, Šehanović will use both traditional collage mediums as well as combining digital techniques to achieve the particular look and emotion in his pieces.
Zoom Info

asylum-art:

Emir Šehanović

Emir Šehanović is an artist hailing from Bosnia-Herzegovina who uses digitally manipulated images and vintage photos in a collage-like format to create these very unique figurative pieces. For his work, Šehanović will use both traditional collage mediums as well as combining digital techniques to achieve the particular look and emotion in his pieces.

pubhealth:


'Meat Atlas' charts a changing world of meat eaters
If anything is going to put you off eating meat, a map made out of a raw bloody steak might just do the trick.
That is the cover of the Meat Atlas, a yearly publication by the Heinrich Boell Foundation - a German environmental NGO - and Friends of the Earth. The first English version for the international market was released on Thursday.
But the Meat Atlas is not necessarily meant to turn you veggie - although the cover title “facts and figures about the animals we eat” might appear blunt to the more squeamish.
The aim is to inform consumers about the dangers of increasingly industrialised meat production, says Barbara Unmuessig, the foundation’s president, herself a self-confessed enjoyer of the occasional organic steak.
"In the rich North we already have high meat consumption. Now the poor South is catching up," she said. "Catering for this growing demand means industrialised farming methods: animals are pumped full of growth hormones. This has terrible consequences on how animals are treated and on the health of consumers."
In the United States more than 75kg (165lbs) of meat is consumed per person each year. In Germany that figure is around 60kg. Huge amounts compared to per capita meat consumption rates of 38kg in China, and less than 20kg in Africa.
But whereas in the developed world meat consumption has stabilised - or in some countries such as Germany, is even falling - in other parts of the world, particularly in India and China, consumers are taking enthusiastically to a meat-heavy Western diet.
There are social consequences, according to the Meat Atlas: the more meat we eat, the more animals we have to feed.
As a result increasing amounts of agricultural land are being given over to grow animal feed, such as soya. Globally 70% of arable land is now being used to grow food for animals, rather than food for people, says the Heinrich Boell Foundation.
This is undermining the fight against starvation and poverty, says Barbara Unmuessig, as individual farmers are pushed off their land by huge competitive corporations. And industrialised methods have led to an overuse of damaging chemicals, she believes.
Guilt-inducing
But Germans are torn.
On the one hand, this is a country with a powerful meat industry which slaughters 700 million animals a year - as well as a strong tradition of eating meat: wandering round chomping on a sausage is a normal part of most street festivals, and dried pieces of salami, wrapped in plastic wrappers like chocolate bars, are popular snacks.
German consumers are also used to the cheap food which is a direct result of industrial farming methods. The average German household spends around 10% of its entire income on food today, one of the lowest figures in the world, compared to more than 30% three decades ago.
More….
(From BBC News)

pubhealth:

Graphic

'Meat Atlas' charts a changing world of meat eaters

If anything is going to put you off eating meat, a map made out of a raw bloody steak might just do the trick.

That is the cover of the Meat Atlas, a yearly publication by the Heinrich Boell Foundation - a German environmental NGO - and Friends of the Earth. The first English version for the international market was released on Thursday.

But the Meat Atlas is not necessarily meant to turn you veggie - although the cover title “facts and figures about the animals we eat” might appear blunt to the more squeamish.

The aim is to inform consumers about the dangers of increasingly industrialised meat production, says Barbara Unmuessig, the foundation’s president, herself a self-confessed enjoyer of the occasional organic steak.

"In the rich North we already have high meat consumption. Now the poor South is catching up," she said. "Catering for this growing demand means industrialised farming methods: animals are pumped full of growth hormones. This has terrible consequences on how animals are treated and on the health of consumers."

In the United States more than 75kg (165lbs) of meat is consumed per person each year. In Germany that figure is around 60kg. Huge amounts compared to per capita meat consumption rates of 38kg in China, and less than 20kg in Africa.

But whereas in the developed world meat consumption has stabilised - or in some countries such as Germany, is even falling - in other parts of the world, particularly in India and China, consumers are taking enthusiastically to a meat-heavy Western diet.

There are social consequences, according to the Meat Atlas: the more meat we eat, the more animals we have to feed.

As a result increasing amounts of agricultural land are being given over to grow animal feed, such as soya. Globally 70% of arable land is now being used to grow food for animals, rather than food for people, says the Heinrich Boell Foundation.

This is undermining the fight against starvation and poverty, says Barbara Unmuessig, as individual farmers are pushed off their land by huge competitive corporations. And industrialised methods have led to an overuse of damaging chemicals, she believes.

Guilt-inducing

But Germans are torn.

On the one hand, this is a country with a powerful meat industry which slaughters 700 million animals a year - as well as a strong tradition of eating meat: wandering round chomping on a sausage is a normal part of most street festivals, and dried pieces of salami, wrapped in plastic wrappers like chocolate bars, are popular snacks.

German consumers are also used to the cheap food which is a direct result of industrial farming methods. The average German household spends around 10% of its entire income on food today, one of the lowest figures in the world, compared to more than 30% three decades ago.

More….

(From BBC News)

Saved My Day project

svadsi2014:

whenyousavedmyday.tumblr.com (#savedmydayproject)

What if we could tell everyone how grateful do you feel for those people saved your day, even when it has been a rough one. What if you don`t know that person, but you could make your message reaches him/her?

What is the point you are…


ギャングスタ-コースケ

ギャングスタ-コースケ